Break of Day Demos (EP) Review
by Jacob McDaniel
I first heard Chase's music a little over two years ago when we met up in college. I was dumbfounded that his back catalogue already contained over two hundred songs, and was even more impressed by his production abilities, filling out a song with little more than an acoustic guitar and intertwining melodies.
When The Bitter and the Unbelievable was released last year, I had a feeling that Chase was on his was to joining a host of well praised newcomers to the indie-folk business. Although the album contained great potential, and received its fair share of support from the online music community, it became apparent that moving albums is nearly impossible without the support of a label.
Undaunted, Jedick returned to the drawing board, morphing his folk style into a weird (yet poppy) conglomeration of indie-folk and rock. The change of pace couldn't have worked better, as Break of Day features a mashing of sounds, restlessly experimenting with different styles. The opener, "Do You See Love?", starts off as a power-pop tune (think Flaming Lips) before growing into a jovial chorus of "Have a Goddam, good damn, day". The EP quickly switches gears with the medieval sound of "McKenzington", where Jedick proves he's as much of a lyricist as a guitarist and producer. The second to last track off the EP, "Society", pairs an acoustic riff with an indictment of modern humanity. Lines like "The faster life goes/The sooner you get told/That the slower life goes/The faster you get old" could give Isaac Brock a run for his money. The disc closes with four tracks from previous Chase Jedick albums, which (in the least) highlight the songwriting prowess that he's possessed for years.
Although I consider this one of the top five releases of 2005, I doubt you'll see Break of Day on the billboard charts. However, if the right person discovers Chase Jedick, remember where you first heard the name.
Rating: 5 of 5 Stars
Preview and Purchase This CD Online
Break of Day Demos (EP) Review
by J-Sin from Smother.net
The Bitter and the Unbelievable
The Bitter and the Unbelievable – An Exclusive Preview
Jacob McDaniel
Hangdog's Review of The Bitter and the Unbelievable
The Bitter and the Unbelievable brings you back to a musical time when vocals and melody ruled the world. Chase delivers 1st class vocal performances throughout sometimes reminiscent of simon and garfunkel, sometimes beach boys with a modern guitar sound backing him up. The opening track On my own is filled with a contagious hook that steals your attention then stays in your head for the rest of the day. As strong as Waves is the next track and chase builds from a a single note pick, to vocals softly growing into a beautiful melody. Good for you is another modern day hit! Chase has the ability to write simple yet powerful memorable melodies. The bitter and the unbelievable easily has 5 singles including On My Own, As strong as Waves, Fantasy, Your something, and my fav Good for you. Be aware chase's music is like a lay's chip you can't have just one. --Hangdog
Review of Chase Jedick (April 24, 2005)
Chase Jedick is a young man with an old talent. This singer-songwriter from Cleveland takes his musical creations to a new level. With influences like the Beatles, Bob Dylan, and Oasis you can be sure to find a piece of your soul hidden within the numerous songs written by Chase. Sweet songs about professing feelings to a love like "Good For You" or the acoustic, "North Star" which is very reminescent of the Beatles, Chase has a song for anyone who will listen. What's my song? "McKenzington" Floored me, this very smartly written song you Must listen to. Chase's latest Album "The Bitter and the Unbelievable" is an album that you can literally buy for anyone. I suggest you do. --Merrick from IRL
Chase Jedick - The Bitter and the Unbelievable
Ohio was the original host for Chase but then he went to college in Indiana. There he began to write music and specifically some of the songs that make up “The Bitter and the Unbelievable”. What you have here is a simple listen of acoustic rock that has some intriguing and often times off-kilter lyrics sung with a surprisingly talented voice. It’s a good album with rare miscues and is perfect for a late night cram session. -- J-Sin at Smother.Net
